Last Friday my home was taken-over for a photo-shoot. My sister, Alison, has been in the beauty business for many years and is a specialist in skin care, semi-permanent makeup and facials, to name just a few. You can find Alison’s beauty website here, along with her makeup and hair styling website here.
So back to the photo-shoot. Alison teamed up with Cat of CT Images, to produce some stunning shots of the gorgeous model, Eve; who by the way, isn’t yet signed to a model agency. At the tender age of 17, she’s certainly got what it takes to make it big. Such a lovely girl and a pleasure to work with.
The idea behind the shoot was to demonstrate that classic styles are always in vogue, and that vintage fashion doesn’t mean that you have to look dated or conform to specific eras. The differing hair and makeup looks were planned to compliment the outfits, offering something a little different from the norm.
This theme offered a quirky, fun and vibrant look. Alison created milk-maid hair braids which were wrapped around Eve’s head giving a Princess Leia inspired style that stole the show.
The following look is demure and sophisticated. Alison created a double French pleat in Eve’s hair and a more defined makeup look for a glamorous edge.
Alison and Cat went for a natural, hippie vibe in this shot. Alison created the look with barely-there makeup and long, flowing hair. The floral headband shows off Eve’s pretty hair to full effect . . . . . she reminds me so much of a young Christine Keeler in this photo, although Eve’s much prettier I think!
Probably my favourite shot of the day created by Cat of CT Images. The formal 1950s brocade dress (a wedding dress actually), makes for a wonderful contrast against the urban backdrop. West Didsbury has never looked so glam!
And finally, a close-up image showing Eve’s hair and makeup. Divine!
How Right you are in a Sally Slade model
I recently acquired this vintage address and telephone number book which dates late 1940s, early 1950s. The outer shell is made from heavy-duty cardboard with a textured, faux leather covering; the pages within being held in place with an orange plastic binder.
Each page includes a cute advertising motto; one of them referring to Dior’s “New Look” which was first launched in his Spring-Summer fashion collection of 1947.
Look new, in a Sally Slade New Look
These address books would have been issued to sales representatives and handed out to shops and department stores that stocked the Sally Slade fashion label.
I was particularly interested in purchasing this book as I have a Sally Slade prom dress dating c.1950s currently listed on my website (see below). Plus, it’s always nice to find something of this age that hasn’t been used before.
A cute advertising motto on each page . . .
Unfortunately, I’ve been unable to find any information about the Sally Slade label or how long they were in operation. There were many fashion brands and design houses that produced and manufactured clothing and textiles in this part of London during the 1940s to 1960s/70s. If you have any information about this company, please drop me a line.
I recently acquired this velvet evening jacket which included real fur cuffs. It dates from the 1930s and like most velvets from this period, is made from silk. It has superior texture and drape compared to modern-day velvets and this one is in remarkably good condition too . . . . . except for the cuffs!
The cuffs had lots of age-related wear, mainly to the inside edge, where friction against the fabric over the years, had caused some fur loss. In addition, the fur had lost its original lustre and sheen and was quite matted in places. Not selling it very well am I?!!
Coats and jackets trimmed with fur were very popular throughout the 1920s and 1930s. Sumptuous velvets were used in dresses, wraps and jackets and provided opulence and luxury, so much part of Art Deco fashion.
Unfortunately, these fur cuffs had seen better days!
So, what to do? Well there is no way to restore this type of fur or fabric, so I posted photographs of the jacket to my friends at the Vintage Fashion Guild. There is always someone there to provide support and inspiration, and this time it was suggested that I try and remove the fur cuffs, which may have been added to the jacket later anyway.
This has to be one of the easiest projects I’ve ever completed. Taking extreme care not to damage the velvet underneath, here is what the culprits look like from the inside.
And here is how the jacket looks now, restored to its original beauty. Purchase here.
Please ‘click’ on the image for a closer view.
I don’t mind admitting that when it comes to my business, I’m slightly obsessed with getting the very best out of my vintage clothing and accessories. That means cleaning and repairing to ensure they reach my customer in the best possible condition, ready to use or wear immediately.
Of course those who love the allure of anything old, appreciate some age patina and wear. It adds authenticity and shows the piece has had a previous life. There are also those of you who simply don’t ‘get’ vintage at all, and whilst I’ve no wish to try and change your viewpoint, I think you’re definitely missing a trick. Vintage provides immense style opportunities and offers something unique and individual to your wardrobe. Still not convinced? Oh well . . . . . vive la différence, as they say!
These handbags arrived with me last week and I couldn’t wait to get started. They look pretty good don’t they?
Well they didn’t look quite so pretty when they arrived. They were all incredibly dusty with metal hardware that was dull and unappealing. I had to first of all check what the outer fabric shell was made from; three of them vinyl and one genuine leather. I will concentrate my story on the black moc-croc patent handbag (second from left). Here’s some close-up images of how it looked on arrival . . .
I used a clean cloth to remove as much dust as possible, then used Silvo on the metal hardware, being extremely careful not to go anywhere near the lining fabric. Once that had been polished and buffed with another clean cloth, I got to work on the outer vinyl shell. This proved very easy indeed, using a soft sponge, warm soapy water, and one final buff with a clean cloth. And here’s the finished result. Hey presto!
Now just going back to what I said earlier about appreciating some age patina and wear; well this handbag is a perfect example. It’s now in the best possible condition it could be, and is certain to last its new owner for many more years to come. However, the metal hardware, although strong, robust and clean, still has quite a lot of tarnishing spots.
Would the tarnishing spots bother you? Well I guess that all depends on your preference for old or new. I think it’s unlikely you’d find anything quite so stylish or beautifully made on the high street . . . . but as they say, vive la différence!
I recently purchased this lot from an auction house sale. The contents of the box were listed as follows:
4 Whitney wool checked blankets, embroidered and crochet linen (1 box).
Now as my knowledge of wool blankets is practically non-existent, I took a quick detour via Google search and input ‘Whitney blanket’ . . . . well you would, wouldn’t you?
Nothing came up for that particular spelling. However, Google found me lots of wool blankets, all of them labelled ‘Witney‘. This was looking promising . . . . . except for the link that came up for a website dedicated to all things ‘Whitney Houston‘ . . . . No, not quite what I was looking for!
Anyway, a couple more clicks of the ‘mouse’ and I came across an interesting little website all about Witney blankets. Result!
Mental note to myself . . . . . should get out more . . . . .
Back to the auction house then, to establish the condition of said blankets. There’s little point winning at auction if you’ve no idea what you’re buying. It would be hideous indeed, to open-up my box of goodies, only to find blankets full of nasty holes and stains. Yuk! I’d rather save myself the bother.
Failing to check things beforehand might prove an expensive mistake. Always check the auction house’s terms and conditions; be sure about what you’re buying, and know what fees you’ll be charged.
As luck would have it, the auctioneer confirmed the blankets were in good order with only a small yellow mark on one. So, I made my bid and won. Yay!
Here are the blankets in more detail. The one shown above right, and below, was a very nice surprise. I hadn’t expected to see any red at all, and this colour combination is a real winner.
I’ll be keeping two of the blankets – the ones that have the green checked weave as shown below. The neutral tones will look perfect in my lounge, preferably on a dark brown leather sofa, which I haven’t got yet. Hopefully sometime this year!
The blanket below is the largest of the four. Neutral creams and browns makes it easy to coordinate with almost anything!
Vintage wool throws look very smart in any room setting. I love the warm tones used in this elegant bedroom. Draping the blanket at the end of the bed, gives the room an extra cosy feel.
The handbag became an increasingly important fashion accessory during the 1920s. No longer were they simply used for carrying everyday essentials, but they were designed with a total look in mind, and made especially to coordinate with your latest outfit.
Handbags became more streamlined and less fussy during this decade, with design influences taken from ancient civilizations in the form of geometric shapes and patterns. In addition, popular dances of the day, such as the Charleston and the Tango, required a smaller bag that could be easily held in one hand, usually with the help of a wrist strap.
The feature, shown here on the left, is taken from Woman’s Pictorial, dated 5 January 1929. The range of accessories includes a rather handsome bag complete with wrist strap. Please click on the image, then click again, for a super-sized view.
A copious “carry-all” after your heart’s desire – made from an Arabian prayer mat and mounded on tortoiseshell.
New materials and technologies, brought innovation throughout the 1920s, which infiltrated fashion in the form of product design. 1926 saw the first production of cellulose acetate, a form of plastic, which made it possible to imitate expensive natural raw materials, such as tortoiseshell and ivory. This process enabled bag manufacturers to produce more affordable ranges for the mass market.
Below is a lovely example of an evening bag from the mid-1920s which uses a faux tortoiseshell frame and chain-link handle. This is from my own collection of vintage handbags, but unfortunately, now too frail to use as the silk has disintegrated somewhat over the years. I love the fabric with its contrasting colours and abstract design. And did you spot the little elephant charm? This bag must have been quite ‘fashion-forward’ at the time.
And just take a look inside – all those pretty blue rosebuds which run along the inside of the frame. Such attention to detail. The frame fastens securely with a push-button (press) closure.
What parties has this pretty handbag attended over the years, and who owned her I wonder?
It was my birthday recently and one of the gifts I received was this smart vintage vanity set by Maylor. It dates c.1930s and comprises two glass bottles for storing perfume or toner, three small glass pots with screw-top lids, and one large powder pot including, what appears to be, an unused powder puff labelled ‘REX’ Fifth avenue.
Whether the powder puff is original to the set, I really couldn’t say – it certainly fits perfectly inside the pot, although ‘Rex’ was an American compact brand. Perhaps ‘Maylor’ produced the case and ‘Rex’ produced the glass jars and pots? I’d really love to hear from you if you know.
There’s an informative post from The Powder Keg which talks about Rex Fifth Avenue powder puffs. Please click here to find out more.